My sensitivity towards nature was a turning point in starting my artistic experience. The interest I have in its various shapes, colors, textures and love for animals led me to develop an exceptional curiosity towards one of the most relevant beings in world history and in this particular case in the history of art.

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The horse, our destined partners in sports, battles and the like, which I find majestically perfect, are an element that allows me to explore and experiment in my paintings focused on realism, its shape and anatomy, making it the main theme in the plastic production of my artistic configurations.

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Likewise, I find in this exploration two angles of plastic production. The first from the reproduction of the reality of the horse, which allows me to achieve a more faithful handling of its anatomy and texture. The second is a reinterpretation of that reality, playing with drawing and painting, from loose lines and loads of color that precisely match the rhythm of the horse's nature, creating an emotional impact on the observer.

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Finally, I discover at every moment that I approach the traces of the horse's anatomy to give a subjective interpretation of the reality of these great specimens, which have allowed for such a wide variety of artistic productions through the history of art and, in turn, allow me to find a personal style in horse painting.